"Though we don't often give it much thought, art has been locked in a love-clutch with science since the first caveman picked up a cinder and used it to draw on a wall. And while a lot of that has to do with things like chemical reactions, makeup of mediums and even the speed of light, there's also an infusion of scientific study and thought that orbits around the work of making art. Leonardo Da Vinci did it, and in modern times, so does Denver painter Monica Aiello, who's known for her works inspired by the beautiful topography of distant planets distilled from NASA images."

Susan Froyd, Westword Magazine

ARTIST STATEMENT

Painting is my exploration ~ a journey through processes, themes and materials. Inspired by planetary science, I’ve spent over 25 years investigating our solar system through art. Throughout my practice, I’ve had the amazing opportunity to work alongside NASA scientists capturing the mysterious worlds of our celestial neighborhood. From Jupiter’s moons to our precious planet Earth, I’m captivated by natural vistas as viewed from the vantage point of space.

When creating my topographic paintings, I draw inspiration from many scientific and imaging techniques, including astrogeology, remote sensing, GIS and geologic mapping. My work is highly sculptural, meticulously built with layer upon layer of mixed-media. I utilize acrylic, ink, fiber, paper and water superimposed like strata to interpret geologic processes and landforms. At first glance, my pieces may appear to be purely abstract. However, they are depictions of specific aerial views ~ from ancient water features on Mars to Earth analogies like the Colorado Plateau.

In 1871, artist Thomas Moran joined the Hayden Geologic Survey to capture the American West. His large-scale paintings were crucial in early conservation efforts and helped establish Yellowstone as our first National Park. Scientists often reference the need to study the cosmos in order to better understand ourselves. In documenting current space missions and Earth’s endangered landscapes, I draw attention to the importance of “place”. My work advocates for a planetary perspective in hopes of inspiring awe, wonder and stewardship.